Premiere Pro provides the ability to import ALEXA LF (Large Footage) file format. Premiere Pro supports ARRIRAW and ProRes files from the ARRI ALEXA 35 camera. Premiere Pro provides built-in support for the ARRI AMIRA camera, with appropriate color LUTs applied as master clips on import. The required codecs are built into Premiere Pro and supported on both macOS and Windows systems unless stated otherwise. The media formats listed here are supported for directly importing and editing with Premiere Pro. Premiere Pro lets you work with a wide range of native media formats from the latest DSLR cameras without transcoding or file rewrapping. Supported native video and audio formats for importĪdobe Premiere Pro supports several audio and video formats, making your post-production workflows compatible with the latest broadcast formats. For example, an image that is 16,000×16,000 pixels are acceptable, as is one that is 32,000×8,000, but an image that is 35,000×10,000 pixels cannot be used. Still image and movie size: The maximum frame size to import still images and movies is 256 megapixels, with a maximum dimension of 32,768 pixels in either direction.If you attempt to set one of the Frame Size dimensions higher than this limit in the Sequence Settings dialog box, Premiere Pro resets the value to the maximum. The maximum sequence frame size in pixels is 10,240×8,192 (width x height). Sequence size: Video and still-image files you want to import must not exceed the maximum dimensions allowed.Supported sequence, still image, and movie sizes Premiere Pro can import these container files, but the ability to import the data that they contain depends on the codecs (specifically, decoders) installed. Container files can contain data encoded using various compression and encoding schemes. Some filename extensions-such as MOV, AVI, and MXF, denote container file formats rather than denoting specific audio, video, or image data formats.
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